Songs leave such deliciously indelible imprints on us throughout our lives, reminding us of particular moments in time, or as time passes, general eras in our lives, whether happy or sad. They also mean different things to different people. That is why, for instance, while you may cringe and dive for the dial, I will never switch the radio station off of Cyndi Lauper’s “Time After Time,” but will instead lamely listen to the entire thing for reasons best kept to myself, or why, at your friend’s wedding, you will go charging out to the dance floor in excitement when “Paradise By the Dashboard Light” comes on and I will simply see it as a chance to get another drink.
The imprint songs make on us is even more pronounced at Christmas, a time that I believe most people are more prone than other times of year to romanticize the past. The imprinting of Christmas carols into our brains starts at an early age, as noted in the last post. My family (my Mom excepted), for instance, is unnaturally attached to the Elvis Christmas Album, which my parents had on vinyl and which was a Christmas staple in our household in the Christmases of my youth. Two of my top 5 favorite Christmas songs of this and every year were birthed not in the distant past of my childhood, however, but instead were created in the relatively less-distant year of 1984, where they sat atop the English pop charts at numbers 1 and 2 that year at Christmas of my freshman year of college.
The first is “Do They Know Its Christmas?,” the English 80’s superstar compilation that was the most thrilling musical event of 1984 to my 18-year-old self. You should know, of course, that my 18-year old self wore parachute pants and had dubious judgment, as well as a fervent love of all of the seemingly brilliant music pouring forth from England at the time. Bob Geldof of the Boomtown Rats and Midge Ure of Ultravox wrote the song in a 24-hour period and 3-days later had gathered a whose who of pop talent of the moment in a London studio as "Band-Aid" for a day long recording session, including Sting, Simon LeBon, Bono, Boy George, George Michael, Paul Young, etc., as well as lesser lights such as Bananarama and Marilyn, who was not invited but showed up anyway. With the profits all going towards Ethiopian famine relief, it was the first in the stream of politically conscious charity songs that later spawned “We Are the World” in America and the Live-Aid concerts. For anyone interested, there is an interesting entry on the recording of the song at Wikipedia. Anyway, despite the sometimes ubiquitous presence of the song, especially that first year and the next one, I have never tired of it and my heart still gives a little jump each time I hear the opening chimes. I still have the 45 of the song given to me for Christmas in 1984 by my friend John (a dedicated reader of this blog!). Curiously, I learned just this week that Deanna had always thought they were egotistically singing in the song that “The greatest gift they’ll get this year is this.” “They,” being of course, the starving people of Ethiopia, and “this” being, I suppose, the record. While it may have been the greatest gift I got in 1984, and while I am sure Ure and Geldof and the rest of the crew they gathered to record the song that long ago day in London all had outsized egos, they were actually singing that the greatest gift the Ethiopians would get that year was life, due to the money raised by sales of the record, and not the record itself.
My more embarrassing 1984 favorite is Wham’s “Last Christmas.” The song, despite its infectious chorus, is numbingly repetitive and checks in at a bloated four and a half minutes. It is the video that left its impression on me, however. It features a brokenhearted George Michael sadly but gamely enduring a Alpine holiday ski-trip with a big group of friends, including his girlfriend from the previous Christmas, who is now dating Andy Ridgley and who has, cruelly, sadistically even, given Andy the brooch that George bestowed upon her the previous year. The video and its bittersweet story of love lost, in addition to setting unrealistic expectations for the kind of holiday get togethers with friends I should expect during my 20’s (never did get that call to meet everyone up at the big lodge in Kitzbuhel, Austria for a bit of skiing and some holiday fun), made such an impression that I still, sadly, make Deanna watch it with me each holiday season (thank god no one reads this blog!). There is much mocking by her of course, but for the most part, she is reluctantly indulgent of this bizarre holiday tradition. Reason enough to love her right there, I say, because frankly, holiday traditions don’t get more dorky than that. I might even buy her a brooch this Christmas.
The imprint songs make on us is even more pronounced at Christmas, a time that I believe most people are more prone than other times of year to romanticize the past. The imprinting of Christmas carols into our brains starts at an early age, as noted in the last post. My family (my Mom excepted), for instance, is unnaturally attached to the Elvis Christmas Album, which my parents had on vinyl and which was a Christmas staple in our household in the Christmases of my youth. Two of my top 5 favorite Christmas songs of this and every year were birthed not in the distant past of my childhood, however, but instead were created in the relatively less-distant year of 1984, where they sat atop the English pop charts at numbers 1 and 2 that year at Christmas of my freshman year of college.
The first is “Do They Know Its Christmas?,” the English 80’s superstar compilation that was the most thrilling musical event of 1984 to my 18-year-old self. You should know, of course, that my 18-year old self wore parachute pants and had dubious judgment, as well as a fervent love of all of the seemingly brilliant music pouring forth from England at the time. Bob Geldof of the Boomtown Rats and Midge Ure of Ultravox wrote the song in a 24-hour period and 3-days later had gathered a whose who of pop talent of the moment in a London studio as "Band-Aid" for a day long recording session, including Sting, Simon LeBon, Bono, Boy George, George Michael, Paul Young, etc., as well as lesser lights such as Bananarama and Marilyn, who was not invited but showed up anyway. With the profits all going towards Ethiopian famine relief, it was the first in the stream of politically conscious charity songs that later spawned “We Are the World” in America and the Live-Aid concerts. For anyone interested, there is an interesting entry on the recording of the song at Wikipedia. Anyway, despite the sometimes ubiquitous presence of the song, especially that first year and the next one, I have never tired of it and my heart still gives a little jump each time I hear the opening chimes. I still have the 45 of the song given to me for Christmas in 1984 by my friend John (a dedicated reader of this blog!). Curiously, I learned just this week that Deanna had always thought they were egotistically singing in the song that “The greatest gift they’ll get this year is this.” “They,” being of course, the starving people of Ethiopia, and “this” being, I suppose, the record. While it may have been the greatest gift I got in 1984, and while I am sure Ure and Geldof and the rest of the crew they gathered to record the song that long ago day in London all had outsized egos, they were actually singing that the greatest gift the Ethiopians would get that year was life, due to the money raised by sales of the record, and not the record itself.
My more embarrassing 1984 favorite is Wham’s “Last Christmas.” The song, despite its infectious chorus, is numbingly repetitive and checks in at a bloated four and a half minutes. It is the video that left its impression on me, however. It features a brokenhearted George Michael sadly but gamely enduring a Alpine holiday ski-trip with a big group of friends, including his girlfriend from the previous Christmas, who is now dating Andy Ridgley and who has, cruelly, sadistically even, given Andy the brooch that George bestowed upon her the previous year. The video and its bittersweet story of love lost, in addition to setting unrealistic expectations for the kind of holiday get togethers with friends I should expect during my 20’s (never did get that call to meet everyone up at the big lodge in Kitzbuhel, Austria for a bit of skiing and some holiday fun), made such an impression that I still, sadly, make Deanna watch it with me each holiday season (thank god no one reads this blog!). There is much mocking by her of course, but for the most part, she is reluctantly indulgent of this bizarre holiday tradition. Reason enough to love her right there, I say, because frankly, holiday traditions don’t get more dorky than that. I might even buy her a brooch this Christmas.